Abstract: The political sensitivity of the region in turn propagates the popularity of political interpretations for literature from Xinjiang. When reading Uyghur poetry from the likes of Tahir Hamut, Perhat Tursun, or Ghojimuhemmed Muhemmed, it is difficult to divorce ones thinking from the political reality that defines everything in Xinjiang. Literature gives a lens to culture and reality, and concerning Uyghur Misty/ Gungga/ Menglong poets there are interesting viewpoints on the political value and implications of their works. This paper will seek to outline how the political intentions of these gungga poets are interpreted. An ethno-religious reading of these authors will be called into question while an argument for a political community consciousness of issues will be put forth. This will be mostly done through an analysis of various gungga works in this paper.
Introduction: The political instability of the Uyghur situation within the People’s Republic of China is something that is front page news across the globe. The resource rich and vast territory of the Xinjiang Uyghur Autonomous Region is one that is crucial not only for the territorial integrity of the Chinese nation but a keystone for Chinese aspirations in the international field–especially with the New Silk Road initiative put forth by Xi Jinping in recent years. The wealth of this region is unevenly shared with dissatisfaction high among the Uyghurs of the region. The nationwide issues that spring forth from economic growth, modernization, and the control of the Communist Party are intensified in Xinjiang because of the volatile situation present. This results in the unwavering iron grip that the Chinese Communist Party exerts on the native populations of the province [1]. In the crusade to rid the region of “dangerous” elements, the Chinese Communist Party has recently sought to rid the province of “dangerous” people–the destruction of a people seems to be simply a means to an end for the pacification of Xinjiang under the Chinese Communist Party.